For the first time in Belgium: the ironic, playful worldview of choreographer, dancer and performance artist Candela Capitán. Her unique work exists in the grey area between popular culture and subculture, theatre and fashion, performance and dance. She throws herself into the dark abysses of the human condition, playing with female sexuality and voyeurism. On stage: five performers, five computers and an online platform where ‘women observe themselves being watched’. The interplay between MacBooks, smartphones, pink lycra bodysuits and knee-high boots has the viewer looking everywhere at once, as in a dazzling kaleidoscope.