In this performance, Sophía Rodríguez embodies the body of sacrifice: a female body torn between desire, symbolic violence and political oppression. The performance combines two of Francisco Goya’s most iconic and charged images: The Naked Maja, which led to his persecution, and Saturn Devouring His Son, one of the “black paintings”. In this work, Saturn devours La Maja, the female body, which is no longer a passive projection surface, but a living presence that remembers, resists and reacts.